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| The Rolling Stones - Gimme Shelter - Criterion Collection | 
 enlarge | Directors: Albert Maysles, David Maysles, Charlotte Zwerin
Actors: Marty Balin, Sonny Barger, Melvin Belli, Dick Carter (ii), Jack Casady
Studio: Criterion
Category: DVD
List Price: $39.95
Buy New: $23.46
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Avg. Customer Rating:  131 reviews
Sales Rank: 6080
Format: Closed-captioned, Color, Dolby, Dts Surround Sound, Dvd-video, Ntsc
Languages: English (Original Language), English (Subtitled)
Rating: R (Restricted)
Number Of Items: 1
Running Time: 91
Aspect Ratio: 1.33:1
DVD Layers: 2
DVD Sides: 1
Picture Format: Academy Ratio
Shipping Weight (lbs): 0.3
Dimensions (in): 7.5 x 5.4 x 0.6
MPN: PMIDGIM020D
ISBN: 0780023811
UPC: 037429154526
EAN: 9780780023819
ASIN: B00004YZFR
Theatrical Release Date: December 6, 1970
Release Date: November 14, 2000
Availability: Usually ships in 1-2 business days
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| Editorial Reviews:
Product Description
Studio: Image Entertainment Release Date: 11/14/2000 Run time: 91 minutes
Amazon.com essential video
To cite Gimme Shelter as the greatest rock documentary ever filmed is to damn it with faint praise. This 1970 release benefits from a horrifying serendipity in the timing of the shoot, which brought filmmakers Albert and David Maysles and Charlotte Zwerin aboard as the Rolling Stones' tumultuous 1969 American tour neared its end. By following the band to the Altamont Speedway near San Francisco for a fatally mismanaged free concert, the Maysles and Zwerin wound up shooting what's been accurately dubbed rock's equivalent to the Zapruder film. The cameras caught the ominous undercurrents of violence palpable even before the first chords were strummed, and were still rolling when a concertgoer was stabbed to death by the Hell's Angels that served as the festival's pool cue-wielding security force. By the time Gimme Shelter reached theater screens, Altamont was a fixed symbol for the death of the 1960s' spirit of optimism. The Maysles and Zwerin used that knowledge to shape their film: their chronicle begins in the editing room as they cut footage of the Stones' Madison Square Garden performance of "Jumpin' Jack Flash," and from there moves toward Altamont with a kind of dreadful grace. The songs become prophecies and laments for broken faith ("Wild Horses"), misplaced devotion ("Love in Vain"), and social collapse ("Street Fighting Man" and, of course, "Sympathy for the Devil"). Along the way, we glimpse the folly of the machinations behind the festival, the insularity of life on the concert trail, and the superstars' own shell-shocked loss of innocence. Gimme Shelter looks into an abyss, partly self-created, from which the Rolling Stones would retreat--but unlike its subject, the filmmakers don't blink. --Sam Sutherland
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| Customer Reviews: Read 126 more reviews...
 Good as it gets July 6, 2008
This appears to be a true and accurate record of these events. Very absorbing and of significant historical interest. The music is good as well!!
Tragic Classic June 27, 2008
I have always heard that it is difficult to make a rock and roll film, let alone one that is also a documentary. Gimme Shelter is both- a filmed concert experience but one that also documents those events that take place behind the scenes.
This one gives the viewer virtually unlimited access to the Rolling Stones for their 1969 tour of America. We see the Stones as they perform at Madison Square Garden, working in the studio, and checking into hotel rooms. For Stones historians, there are brief glimpses of Ian Stewart- founding member and so called "sixth Stone", including one of him at the Altamont concert, asking for a doctor to please come to the front of the stage.
Some of the most fascinating scenes do not even have the Stones in them. These are the meetings that would take place in the office of famed attorney Mel Belli. Here is where the ill-fated Altamont show would be planned.
Last of course, is the Altamont concert. It was here that peace & love would collide with extreme violence with fatal results. Was it the end of an era? Did Altamont somehow symbolize the dawning of a new age in America- one in which Flower Power was replaced by death and destruction illustrated by the war in Vietnam?
Perhaps so but at its heart, Gimme Shelter was never intended to be a comment on the sixties nor was it supposed to make some sort of political statement. Gimme Shelter started out as a concert film about the Rolling Stones and it just happened to record something that went very, very wrong.
"Babies" June 20, 2008
1 out of 1 found this review helpful
Saw Gimmie Shelter again last night and suddenly I felt like I was envisioning what the great artist Goya saw when painting the horrors into the faces of his characters. The buildup to Altamont, because you know it's coming, is full of tension and dread cloaked in the mundane. The footage shot from the stage ecompasses almost every emotion and reality known to man -- joy, sadness, fear, anger, sensuality, frivolity, violence, psychotic reaction ... as Goya saw it, the horror of existence and who we are. The most amazing shots: The hatred for everything Mick Jagger stands for etched in the face of a Hell's Angel standing right next to him on stage, staring....In the aftermath of the killing, young men in police caps -- yet clearly not police or police hats -- milling around on the stage ineffectually.
People have ripped the Stones for living in a self-deluded bubble during these times, but you've got to hand it to a horrified, at times speechless Mick -- considered by many in those days the devil himself -- as he tries to calm the crowd, appeal for sense and sanity. "Babies, please..." I'm sure he was scared the Hell's Angels might kill him too.
P.S. -- One of the Angels knocks out Marty Balin, and, go figure!, he got up and wrote the smash hit "Miracles" just a few years later for Starship. Peace.
Eyeglass to the past June 9, 2008
This is a superlative and surprising documentary that clearly shows the business acumen and professionalism of the Rolling Stones as they effortlessly blended their talents and showmanship into the drug racked culture of a 60s rock concert. Not to be missed.
 Gimme Shelter From the Storm June 2, 2008
I have written elsewhere in this space that when it comes to musical influences in my youth that the Stones played a key role in developing my tastes. I have also mentioned elsewhere that my youthful alienation was reflected in the language and sound of the group. I mentioned Street Fighting Man and Tumbling Dice, as well as an earlier cover of Little Red Rooster as important. All this is by way of saying that I looked forward recently to re-watching the old Stones documentary Gimme Shelter reviewed here, despite my knowledge of the tragic incidents that occurred at Altamont and marred the whole experience.
If one is to recount the high points of the too short counter cultural explosion of the 1960's one could arbitrarily assign the Summer of Love in 1967 as the height and Altamont as the start of the decline. We can argue that point endlessly but clearly something or some things happened at Altamont that exposed the ugly side of the dope/ counter cultural scene. Moreover, on reflection no one can deny the unreasonableness of having the notorious Hell's Angels, despite favorable press from Tom Wolfe in Electric Kool Aid Acid Test and Hunter Thompson in his classic study Hell's Angels, as security for a 300, 000 person event.
Now, we finally get to the music and the film. And I think that this is about the right place for such comments in the scheme of things. There have been many, many Stones concerts during the past forty years but none have had the cultural significance of Altamont. Most of the film is about how they, good-naturedly if ultimately naively, tried to put the event together. A fair portion of the film is footage of the reaction by the Stones to the events that they witnessed and interspersed in between are parts of the performance.
This film has not aged well, although Mick has. His voice comes off tinny here reflecting an earlier, more primitive sound technology that does not do justice to how Mick and the boys could whip up an audience. A nice surprise though is a very sensual Tina (and Ike) Turner performance. Unfortunately, the Jefferson Airplane afternoon performance is marred by the violence that doomed the event. But here is the skinny. If you need to look at rock and roll history watch this one and one half hour documentary. If you want to hear the Stones at their best then purchase any one of about ten greatest hits albums available. That's the ticket.
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