Set in Martha's Vineyard during the summer of '76, this feels very much like an updated, African American version of Summer of '42. Larenz Tate is the shy teen from New York who, along with his politically radical parents, vacations with wealthy Republican relatives. When not confiding in his wooden doll, he learns a little about life and even more about sex. Inkwell, by the way, is the name of the beach where the African American population of Martha's Vineyard owns homes.

Clumsily written and executed, this is sweet enough on the surface, but too slick to feel genuine. Also released as No Ordinary Summer. --Rochelle O'Gorman

As an aspiring writer myself, I look forward to hearing a lot more from Mr. Rich in the nearing future. I thought the film was well developed, with a believable plot, and excellent development of character. I also enjoyed the fact that the character in which Mr. Tate was sheltered about a lot of things that in today's society is considered the norm for some minorities. I appreciated that because in a society of where today's youth are so bombarded with so many different things, and it is progressively getting worse as of this writing, it is good to have African Americans portrayed in roles that are less than the norm.

I applaud Mr.Rich for his creativity and for gleaning on events that somehow magnificently pulled this incredible movie together.


Summer of '76   April 6, 2003
 2 out of 2 found this review helpful

The comparisions to "Summer of '42" are inevitable. But aside from the coming of age story of both films, they are completely different. The "Inkwell" is essentially a Shaggy Dog tale that flows nicely from beginning to end. Give credit for Matty Rich's abililty to create an authentic '70's atmoshphere with the use of very little of that era's well known music ("Dancing Machine" and "Let's Get It On" are the only two). ...