| Bad Lieutenant | 
 enlarge | Director: Abel Ferrara
Actors: Harvey Keitel, Victor Argo, Paul Calderon, Leonard L. Thomas, Robin Burrows
Studio: Lions Gate
Category: DVD
List Price: $9.98
Buy New: $4.11
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Avg. Customer Rating:  95 reviews
Sales Rank: 6911
Format: Anamorphic, Closed-captioned, Color, Dolby, Dvd-video, Widescreen, Ntsc
Languages: English (Original Language), Spanish (Subtitled)
Rating: R (Restricted)
Number Of Items: 1
Running Time: 96
Aspect Ratio: 1.85:1
Shipping Weight (lbs): 0.3
Dimensions (in): 7.4 x 5.1 x 0.6
MPN: IVEDA011430D
UPC: 012236114307
EAN: 0012236114307
ASIN: B00005OM6L
Theatrical Release Date: November 20, 1992
Release Date: August 14, 2001
Availability: Usually ships in 1-2 business days
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Product Description
While investigating a young nuns rape a corrupt new york city police detective with a serious drug and gambling addiction tries to change his ways and find forgiveness. Studio: Lions Gate Home Ent. Release Date: 03/22/2005 Starring: Harvey Keitel Paul Calderone Run time: 96 minutes Rating: R Director: Abel Ferrera
Amazon.com
Proving that he may be the most fearless actor of his or any other generation, Harvey Keitel gives an amazing, no-holds-barred performance in director Abel Ferrara's uncompromising 1992 film about a New York cop on the edge of self-annihilation. The film's title is meant to be taken literally: Keitel's character has no redeeming values whatsoever, save for his desperate need for redemption. Leonard Maltin's Movie & Video Guide is correct in calling this an "over-the-top Catholic guilt movie," but it's been made with such conviction that Ferrara and Keitel transcend the sheer unpleasantness of the material to give it a kind of tragic divinity. Here's a character so vile and corrupted that he consumes or re-sells the drugs he confiscates, but when he's assigned to investigate the brutal rape of a nun who refuses to press charges, he feels that this is his opportunity to redeem his rotten soul. Deservedly rated NC-17 due to its rough content and a frontal nude scene that even Keitel's most loyal fans could do without, this film tends to divide viewers into love-it-or-hate-it categories, but few could deny its raw power and the deeply anguished humanity that Keitel brings to his role. Whatever your reaction may be, few would deny this is an unforgettable film. --Jeff Shannon
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| Customer Reviews: Read 90 more reviews...
 Brilliant, transcendental film, easily Ferrara's best work... November 19, 2008
5 out of 5 found this review helpful
This is one of the most notorious films of the 1990's, a really stunning piece of filmmaking. It's Abel Ferrara's best film, one of Keitel's most powerful, shocking performances, and a film that despite the intensely visceral, borderline sleazy material, manages somehow to be spiritual and transcendent by the end.
Keitel is a cop with no name (he's never referred by anything other than Lieutenant) who is corrupt to the bone. He's a junkie, a gambler, an alcoholic, and hangs out with hookers. He also "verbally assaults" school girls (this is probably the most uncomfortable scene in the film), and doesn't have any moral center. He's a completely amoral character. Yet, during an investigation of a brutal, unflinching rape of a nun, he somehow finds his soul again.
Abel Ferrara is a wildly uneven filmmaker. He's made sleazy, borderline Grindhouse movies (Driller Killer and Ms. 45), decent crime dramas (King of New York), underrated films (Dangerous Game), and garbage (Body Snatchers). Here he surpasses everything else he's done and makes a film that almost reaches Bressonian transcendence at the end, and it's not a mistake. It's also filmed in the heart of NYC, which gives it a realistic, gritty feel (this was made in 1992, before Giuliani cleaned up the city). It's also filmed with real street people, meaning when they shoot a scene, the filmmakers didn't close off any streets and let people and traffic unfold naturally like they would on any NYC day. The film makes haunting use of Forever My Love by Johnny Ace, and the film has one of the best long take endings I've ever seen. Many people can't get past the amoralness and scumminess of the main character, and there are a lot of rough scenes (even though many complain of seeing Harvey Keitel full frontal nude more than anything), but if you can make it through this film, you'll find yourself admiring it deeply.
 Bad Lieutenant November 8, 2008
In this movie Harvey Kietel does more drugs, drinks more alcohol, and shoots his gun while driving his police car than most criminals do in the course of their day. Harvey drops his kids off at school then does coke. He goes home and drinks. He goes and shoots heroin. Then a nun is raped and he tracks down the assailants.
This isn't a bad movie, I just wonder how he can do so much drugs and alcohol and keep his car on the road. He shoots his radio because the LA Dodgers lose baseball games (which he bet large sums of money). In the end he is shot and presumably killed. Too bad we didn't get to see a scene where his supervisor gives him his annual performance appraisal.
You do something for me, and I'll do something for you! September 30, 2008
'Dazzlingly raw, gritty, dirty, blatantly real' are the best ways to describe this spectacular flick about a bad cop whose life is spinning out of control. Harvey Keitel gives an incredible, mind-blistering performance in the title role. This cop is losing himself in a gambling problem and a drug problem. These 2 problems are brutally and graphically shown on film as they drag this officer into the depths of depravity and degradation. He steals and abuses his power as a policeman to support his self-destructive habits. And what he does with those teenage girls who steal their father's car is just oh so wrong! But it's one of my favorite scenes in the movie. As his life deteriorates, he must face a gruesome case involving the rape of a nun. (This crime is portrayed semi-graphically, and may be a bit much for some to handle) The cop's faith and self-destruction clash as he faces the solution to this, his hardest case. Vivid, graphic depictions of all aspects of a dirty cop's life are pictured as his life unravels on camera. This movie is not for everyone...but it is a stark, raw and brutal portait of a cop in the midst of the deepest inner-turmoil. Even though I am not a fan of cop movies, I think this is one of my all-time favorite flicks. I highly recommend it to anyone who likes brutal realism...and anyone who is not too squeamish.
 Good performance, bad movie September 28, 2008
Harvey Keitel gives a terrific performance as a cop who's also a drug user and gambling addict. However, everything else in the movie is terrible. The movie is about a police lieutenant who is investigating the rape of a nun and goes through some kind of spiritual awakening at the end. However instead of showing him doing any actual police work, the movie focuses on scenes where the lead uses drugs and gets deeper in debt to a bookie. These scenes seem to be just thrown into the movie and Keitel is the only one you see in more than one of them. The idea that a cop could keep his job with this type of behavior and the ending are totally unbelievable.
Theme could have been powerful August 29, 2008
Indeed, the plot had potential for a theme of redemption, and one moving in this direction because of an example of forgiveness. One who looks for this will be greatly disappointed. The dialogue and acting are dreadful, the plot filled with such extreme and unreal stereotypes that those who watch films on religious themes, and who think that Richard Burton in Exorcist II was the worst of the lot, may wish to consider turning over that trophy to this cast.
Keitel certainly captures the image of a man who is an absolute mess - one unforgettable scene, for example, is when his curses and rage precede his shooting a car radio through his ire over a huge gambling loss. One wonders if he belongs to a police department where even a semblance of sanity is a requirement.
The main character, I am sure, was intended to capture passion and conflict. The trouble is that his passion is expressed in nothing beyond constant strings of obscenities. The anguished facial expression which I imagine was intended is a gargoyle grimace, unvarying, which puts one in mind of a character with a perpetual stomach virus (though I suppose heavy drug usage, such as this 'bad cop' displays, can cause such an effect.
The nun who should provide the inspiration seems catatonic rather than ethereal - a vowed Stepford wife, or perhaps, with today's technology, a robot. Her words on forgiveness, obviously intended as a powerful contrast with the lieutenant's despair and hatred, are so 'canned' as to make one think one is digesting rations left over from the second world war. Her indifference towards seeing a rapist prosecuted could leave one puzzled as to whether vowed life leaves any room for protecting others from the horrid fate.
As the Amazon reviewer quoted, this is a "Catholic guilt" film - stereotypical, but without substance. The church scenes, probably filmed to give an impression of call and response in some vague fashion, give more of a sense of one sinking into paranoid schizophrenia.
This must rank with one of the absolute worst films of this or any decade.
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